Sagittarius84
Legendary Member
Lol... kind of makes you wonder who's the Dai Li, and who's Azula in this situation...We get it.
There is no war in Ba Sing Se
Lol... kind of makes you wonder who's the Dai Li, and who's Azula in this situation...We get it.
There is no war in Ba Sing Se
I'm not familiar with the reference so it is lost on me but I'm glad you "get it."We get it.
There is no war in Ba Sing Se
Think "North Korean Tour Guide"I'm not familiar with the reference so it is lost on me but I'm glad you "get it."
But can you say this when there is an active force suppressing your stories and your likeness, like there was historically in Hollywood? Black actors, regardless of talent, were given roles of maids and butlers. Asian roles were given to white people in yellow-face. How can this not be a problem?If you need representation, you are already a little bit negative and biased.
I wholly disagree here. The homogenous nature of man almost necessitates healthy representation in media especially, because where we often choose to live and raise our families naturally tend to be people whom look like us. The most notable example of this is the experience of Black Americans whom up until the 70s were almost exclusively cast as subservient or criminal; a sentiment that exists to this day. Representation in that case isn't just an increase in "black roles" but more of a diversification of what a Black person is.If you need representation, you are already a little bit negative and biased.
Movies or politics should not have the task to unbias people. I also doubt that they can do it.
They rather divide than unify, because they dont understand what causes the bias according to how they behave.
The Black film community was vibrant and thriving long before the 1970's.I wholly disagree here. The homogenous nature of man almost necessitates healthy representation in media especially, because where we often choose to live and raise our families naturally tend to be people whom look like us. The most notable example of this is the experience of Black Americans whom up until the 70s were almost exclusively cast as subservient or criminal; a sentiment that exists to this day. Representation in that case isn't just an increase in "black roles" but more of a diversification of what a Black person is.
There was real social impact when Mr. Roger's casually dipped his feet in a pool with his black mailman. Florida Evans' insistence on having a present working husband on "Good Times" helped to pull back on the statistically false stereotype of the absent or delinquent black father.
The only division that stems from such representation comes from those that refuse to go against the biases learnt in their homogenous upbringing, what often results is more mutal understanding and respect.
Atht is where we differ. I don't believe there are some evil forces suppressing our stories. This is NOT the same as race because unless you actively tell someone, nobody knows your sexuality and unless it is relevant to the story I don't see why it needs mentioning.But can you say this when there is an active force suppressing your stories and your likeness, like there was historically in Hollywood? Black actors, regardless of talent, were given roles of maids and butlers. Asian roles were given to white people in yellow-face. How can this not be a problem?
And I literally had an Asian friend tell me that, in her experience, Asians (from Asia–not Asian Americans) were afraid of black people because there aren’t many in Asia, and all they see in media is them portrayed as violent or criminals. Now, this was 20 years ago, and a lot has changed in 20 years, but to say representation doesn’t matter just is wrong. I’m not saying it’s the only or most important factor, but it does play a significant role.
I absolutely acknowledge film and television has come a long way. One of my first posts in this thread lists all the tv shows that I watch that have LGBTQ+ POC characters.Atht is where we differ. I don't believe there are some evil forces suppressing our stories. This is NOT the same as race because unless you actively tell someone, nobody knows your sexuality and unless it is relevant to the story I don't see why it needs mentioning.
We are in 2024, not 1994. When I was teenager in the UK we had the following gay representation:
Julian Clary/Boy George types who were flamboyant and frankly caricatures.
The hang-over from the Carry On movies with innuendo that was all based on sex.
The fall-out of the AIDS issue where people believed we would infect people by touching them!
Dale Winton types who were obviously gay but couldn't out themselves and there as a "wink-wink, nudge-nudge" aspect to them.
George Michael in the toilet fiasco and the seediness that stemmed from that type of story.
Lets not pretend we haven't come a long way since then with:
Its a Sin - UK program that was widely praised as shining a light on the suffering of LGBT people in the 1980s.
England Women's Football star and Jill Scott Beth Mead being openly LGBT.
Joe Lycett, Alan Carr, Tom Allen and other big name comedians on the UK circuit and widely used on TV.
Big name pop-stars like Sam Smith (you may not like his style, I don't), Ann-Marie etc.
Jake Daniels being the first openly gay footballer in the UK since 1990. Alongside Zander Murray in Scotland, and Josh Cavallo in Australia.
Gay couples portrayed in reality TV, game shows etc.
Movies like Tangerine (2015), Carol (2015), Call Me By Your Name, and Tomboy (2011) have all painted LGBT characters. It is disingenuous to suggest that movies re: gay people haven't been around. Since the 1930s there have been movie adaptations of LGBT stories.
Those are just examples from the UK without others across the US etc.
In a nutshell, I simply don't recognise that "our stories" (whatever that is supposed to mean) are suppressed. They may not SELL, in which case they won't get publicity because Hollywood is all about making money. But lets not pretend there are not narratives that can be helpful for young people today.
I wish I had the level of acceptance and narratives that we have in 2024 when I was a teenager in the 1990s. At the same time, my whole sense of self is NOT wrapped up in being gay/bi and I don't think we should promote the idea that our sexuality defines us. Also
Also what does "our stories" mean? Are we some monolith that has one single experience? I say this about LGBT, race, ethnicity, gender etc... I find this "our narrative" thing actually rather patronising because it assumes we are all the same. It is frankly ludicrous. Though I respect different opinions on this.
I was told that Hollywood was founded by minorities mainly Jewish people. Jews are still overrepresented.But can you say this when there is an active force suppressing your stories and your likeness, like there was historically in Hollywood? Black actors, regardless of talent, were given roles of maids and butlers. Asian roles were given to white people in yellow-face. How can this not be a problem?
If they see them as violent and criminals, they are somehow represented, but wrongly represented.And I literally had an Asian friend tell me that, in her experience, Asians (from Asia–not Asian Americans) were afraid of black people because there aren’t many in Asia, and all they see in media is them portrayed as violent or criminals. Now, this was 20 years ago, and a lot has changed in 20 years, but to say representation doesn’t matter just is wrong. I’m not saying it’s the only or most important factor, but it does play a significant role.
You mean women?I wholly disagree here. The homogenous nature of man almost necessitates healthy representation in media especially, because where we often choose to live and raise our families naturally tend to be people whom look like us.
But that is representation. Just bad representation. You associate the real life with the media, because you think black people are different because of the media.The most notable example of this is the experience of Black Americans whom up until the 70s were almost exclusively cast as subservient or criminal; a sentiment that exists to this day. Representation in that case isn't just an increase in "black roles" but more of a diversification of what a Black person is.
There was real social impact when Mr. Roger's casually dipped his feet in a pool with his black mailman. Florida Evans' insistence on having a present working husband on "Good Times" helped to pull back on the statistically false stereotype of the absent or delinquent black father.
No, I loved other races more than my own race, when I was young. But I realised that this is also a bias, so tried to erase it.The only division that stems from such representation comes from those that refuse to go against the biases learnt in their homogenous upbringing, what often results is more mutal understanding and respect.
Simply put, since the OP is talking about queer POC representation, “our stories” refers to that, mostly. Yes…we are not all a “monolith.” That’s why telling more stories from different communities and cultures is important.
We are all individuals, yet we can find commonality in stories. Regardless of the messenger, we all have felt feelings of rejection, fear, regret, loss, hope, joy, etc, and can relate to it when we see it.
It is a profound shame that complaints by social justice warriors can overshadow the rich history of African American filmmaking which began in its earliest days. From films that countered racism to the Harlem Renaissance to "Stormy Weather" and on to Sidney Poitier, the contributions of the black writers, producers, directors and actors are diminished when ignored because they do not serve a regressive agenda
America has a very racist history, part of which was segregation. Black people were not allowed in pools with white people. It was considered unhygienic for Whites to swim in a pool Blacks contaminated by just being in the water. That’s not something to blame media on. That’s just racist word of mouth and laws. There were actual laws.I do not even know this stereotype. I think this stereotype is probably told through media first and people believe it because of this.
to "Stormy Weather" and on to Sidney Poitier, the contributions of the black writers, producers, directors and actors are diminished when ignored
Sorry. I guess I assumed everyone knew about the history of racism in film and television, so I’ll bring the receipts with the examples listed above.If you say it is discrimination you have to proof it beyond anecdotal evidence.
That being said, there’s something special that happens when someone can watch a show like Fresh Off the Boat and can feel a connection and relate in a more direct way. It also opens the door for other people to understand and empathize in ways that hadn’t even considered. And it doesn’t mean every immigrant family had that specific experience, but it’s likely closer to that experience in many cases than the Family Ties one (or whatever family sitcom prior to it). And it doesn’t mean they aren’t getting anything from Family Ties either.
Same with gays. Having characters like Max from Happy Endings breaking away from the stereotypes is good and important (imo). He’s gay, but incredibly sloppy (as opposed to tidy and prim), he’s into sports, and he does not have any aspect of his life together at all (other than having close friends). We need to see that. It helps us (all humans) understand each other better when we see different types of stories.